Robin’s Writings
The Last Gesture
I was in Connecticut this weekend for training in Eucharistic ministry at our town-owned nursing home—part of my year of formation with the Order of Malta, a Catholic lay order founded in the 14th century and devoted to caring for the very sick and the very poor. Eucharistic ministry, if that phrase isn’t immediately lighting up your internal Catholic switchboard, means bringing Communion to people who can no longer get to Mass themselves.
I could explain why the Eucharist sits at the very center of Catholic life, but that feels unnecessary here. Suffice it to say: for Catholics, this is not symbolic. It’s not “nice.” It’s the thing.
Nursing homes don’t unsettle me. I grew up in one—not as a patient, but as the child of the owners of a seaside facility. The sounds, the smells, the intercom announcing emergencies in a voice that never quite sounds urgent enough—all of it registers as familiar, not sad. It’s simply life, happening closer to the end than most people prefer to stand.
I was shadowing Ray, who has been bringing Communion to this nursing home every Sunday for thirteen years, after attending the 8 a.m. Mass. The building is L-shaped: long corridors, long-term residents on some floors, short-term rehab on others, and an Alzheimer’s wing that lives in its own emotional universe. Each floor had its own feel, its own rules of engagement.
Ray knew them all.
He knew exactly where every Catholic resident lived, what mood they’d likely be in, whether they’d crack a joke or stare straight through us, whether they’d insist on holding the host themselves or receive it quietly on the tongue. And every time, reality matched Ray’s expectations—not because the residents were predictable, but because Ray had paid attention for thirteen years.
Televisions were often blaring when we entered a room. But the moment Ray made the sign of the cross, hands would slide out from under blankets, reaching for a remote. The volume dropped. Silence arrived. Everyone seemed to know—without being told—that something different was happening now.
Ray had a rhythm. The Our Father. The Hail Mary. The Glory Be. The familiar words said slowly, sometimes haltingly, sometimes with surprising precision. Then the host, consecrated at Mass that morning, received into hands or mouth. And while the resident prayed quietly afterward, Ray would make the sign of the cross on their forehead—and then, deliberately, rest his hand there for just a moment longer than required.
It wasn’t theatrical. It wasn’t sentimental. It was exact.
Margaret, one of the more alert residents, stopped him as he was leaving. She took his hand.
“I love that little sign of the cross you do at the end,” she said. “It’s such a small thing—but now, it’s those little things that send me.”
I knew exactly what she meant.
Not because the gesture was dramatic or even particularly visible, but because in a place where so much has been taken away—privacy, independence, future plans—that final touch said something without explaining itself. It said: I see you. I’m still here. This still matters.
We spend an enormous amount of energy trying to make our lives bigger—more productive, more optimized, more impressive. But watching Ray move room to room, I was reminded that meaning doesn’t always scale. Sometimes it condenses. Sometimes it concentrates itself into one precise, practiced act, done faithfully, long after anyone is keeping score.
Margaret wasn’t moved by theology. She was moved by a small gesture.
A small thing. Done deliberately. And communicating love.